Assassin’s Creed and History

 

Assassin’s Creed is a series of video games that take place in the past and are based on actual historical eras and events.  Assassin’s Creed: Origins, the newest game in the series, is a prequel to all of the other games and its story is set in ancient Egypt. The story line is all about finding and killing corrupt people who are in highly powerful positions. The virtual landscape and scenery encountered when playing the game is mind blowing and actually makes the player feel as if they have gone back in time. There are many parts of this game that are accurate, but there are also many parts that were made up for the enjoyment of the player.

When it comes to accuracy, this game hits the mark. It’s packed full of famous landmarks, real Egyptian religion, and certain events that actually took place in ancient Egypt. There was a lot of research and consultation with historians in order to make sure that the game was actually historically accurate. The map, in which the player has the freedom to travel wherever they wish, is full of actual landmarks such as the pyramids of Giza, the sphinx, the Nile river, and even some of the major cities in Egypt. The clothing, transportation, weapons, and the architecture all accurately represent the time period in which the game is set. The Egyptian gods have a large representation throughout the game, as they were a huge part of everyday life in ancient Egypt.

Although the game is historically accurate, for the most part, there are also some additions to the game play that were added to be more entertaining for the player. While the Egyptians did believe in the Egyptian gods, there were no actual interactions with deities, but the game has a few parts where the main character does have actual contact with a deity. Along the same lines, there is also an aspect of the game called “eagle vision” which allows the player to scout the land around him by seeing through the eyes of the main character’s pet eagle. When it comes to weaponry, while most weapons are accurately represented, the hidden blade is a fictional device. This is the main weapon that is used throughout the series, but there are no actual instances recorded of anyone really using a hidden blade strapped to their wrist.

The history that people learn from modern sources, such as video games and movies, isn’t always reliable. These sources have certain aspects that contain accurate representations of the past, but they also contain quite a bit of inaccurate information in order to be more entertaining.

Is Kim Jong-Un a Tyrant?

In 2017, the New York Times published an Op Ed titled, “Kim Jong-un and the Art of Tyranny.” The first half of the article attempts to substantiate the title of tyrant donned on Kim Jong-un.  The author, Bret Stephens, lists several alleged occasions of brutality ordered by Jong-un. For example, the article discusses the claims that he fed his uncle to dogs and that the North Korean armed forces minister (former) was blown to bits with an anti aircraft gun. And Stephens didn’t limit himself to discussion of the “tyrannical” actions of Kim Jong-un. The article also discusses the Arduous March, a period of time where Kim Jong-il, Jong-un’s father and predecessor, let more than a million people starve in North Korea in order to keep the country’s elite fed. Repeatedly, Stephens uses the word “tyrannical” to describe the actions of Kim Jong-un and his father. The context in which the word “tyrannical” is used in the article suggests Stephens subscribes to the post-democracy Greek definition of tyranny.

As was discussed in class, the ancient connotation of tyrants changed dramatically with the advent of democracy in Greece. Prior to democracy, ‘tyrant’ was simply the title of the authoritative figure with the most power in a polis. There were good and bad tyrants, similar to how the United States has seen good and bad presidents. The usage of the word in this article, however, is similar to the connotation associated with tyrants after the expansion of democracy. Being a tyrant suggested greed, selfishness, and cruelty; essentially list all the adjectives which describe Joffrey Lannister in Game of Thrones, and that is how the democratic Greeks described tyrants.

Because of these conflicting connotations and definitions of the word Tyrant, it was difficult to decide if the article used the term correctly. Due to the article’s use of cruel and brutal actions to support labeling Kim Jong-un a tyrant, I believe the author subscribes to the definition of tyrants proposed by the post-democratic Greeks. Kim Jong-un’s cruelties might not have qualified him to be a pre-democratic tyrant, but he certainly fits the bill of a modern day tyrant.

 

Citation

Stephens, Bret. “Kim Jong-Un and the Art of Tyranny.” The New York Times, The New York Times, 7 Sept. 2017, http://www.nytimes.com/2017/09/07/opinion/kim-jong-un-north-korea-nuclear.html.

Historical Accuracy of the movie ‘300’

Ancient Greece was not unified in terms of geography or politics. Mountains, waterways, and islands split the region making political alliances somewhat inconvenient. There was never any sense of “Greece” as a country in the ancient world. Instead, Greece was made up of many city-states, or poleis, each independent from the other and possessing distinct ethnicities and cultures. This true ancient Greece doesn’t fit with today’s definition of a nation, and attempting to explain this relationship would drag out a movie for too long. In an attempt to overcome this barrier, filmmakers have often chosen to focus on the battle of Thermopylae, a historical moment in which Greece banded together against Persian invaders. Taking place in 480 BCE, this battle has been remembered in history as a defining moment of the Persian Wars. Films such as 300, The 300 Spartans, and Last stand of the 300 have chosen to focus on Thermopylae itself rather than the war overall, probably because of the notorious reputation of the battle throughout the ages as the “Greek Alamo.” Take the movie 300 for example. This film does not even pretend to be historically accurate. It made no attempt to explain the complex issues faced by the Greek poleis when faced with the Persian invasion. As mentioned previously, since there was no sense of a unified Greece, the act of joining forces would’ve been a daunting task for the Greeks and a difficult concept to explain to a modern audience within the time frame of a film. 300 avoids this issue by removing itself from the war almost entirely, fixating on the Spartan perspective as the main protagonists for the whole battle. This makes for an interesting and clear storyline, easy for an audience to follow, yet the sense of a unified Greece is lost in the process.

Works Cited

“The Success and Failure of Greek History in Film”, http://etc.ancient.eu/culture/greek-history-in-film/

Assassins Creed: More than just a Game

In a world where video games are used to transport a player into a land of fantasy, Assassins Creed Origins manages to deliver a player right into the culture of ancient Egypt in a historically accurate ride. While the notion of the game is to take control of a character during a historical period and murder it’s most notable and infamous figures, the backdrop provides historical relevancy that is unmatched in open world artistic representations of ancient Egypt. Not only does the game seek to recreate many of the decaying monuments, but also the daily lives of many Egyptians in this once great kingdom.

Watching the sunset over the Pyramids, the dozens of recreated and researched Egyptian cities have a bustling daily life with the computer-simulated character performing daily tasks of occupational specialization showcasing the immense social stratification present in the complex society. As you travel through the ancient landscape you experience many perspectives of Egyptian lifestyle from the poorest man to the Pharaoh. While in reality, the divineness of the pharaoh would have secluded almost everyone from viewing his perspective, this adds to the historical relevance. Another aspect that needs to be ignored is the non-existence of “Ki” or the life force present in every Egyptian according to their culture. In reality, the assassin would be committing many crimes that would cause Osiris to sentence his soul to darkness. The video game designers cannot reflect the main character in a negative manner as the gamer would be turned off by the dark interpretation of their actions in the sandbox arena. In true ancient Egyptian society, everyone is subordinate to the pharaoh and disloyalty to his divinity would be a crime against the Gods. In assassin’s creed origins, the main character is placed in many positions to challenge the pharaohs and thus not recognize his divine authority. In a player-centered solo gameplay experience, the player would not be fully satisfied in obeying the Pharaoh’s (Computer Generated figure) authority, especially when they have the power to assassinate almost anyone in the society in their way. Although the divinity is ignored in order to predicate a positive gaming experience, the historical accuracy of the game still remains intact.

As we evaluate history in the class and beyond, the unique perspective that comes with riding down ancient Egyptian streets an observing the way of life to fighting Egyptian soldier utilizing ancient battle techniques, Assassins creed provides a medium for which history is represented fairly. Even though the designers added unrealistic attributes to enhance the video game experience, the historical narratives are kept constant leading to an engaging and immersive ride centered on ancient Egyptian culture.

Alexander: Historical Accuracy

The 2004 film, Alexander, outlines the life of Alexander the Great. Alexander was the king of Macedonia and one of the greatest warriors in history, who led his men up against the powerful Persian Empire. Throughout his short life, he conquered much of the then known world and went on to build one of the largest empires in history. Many scholars and historians contemplated the historical accuracy of the film by evaluating how the battles were depicted and how the Persians were portrayed.

One of the most accurate parts of the movie was the producer’s depiction of the Battle of Gaugamela. It is evident that they put a lot of effort into attaining authentic weapons and body armor to recreate the battle which emphasized the importance Alexander the Great’s army placed on the use of pikes and spears. The small details when it came to wardrobe and accessories were also accurately representative of the ancient culture of Macedonia.

However, there are many aspects of the film that were not historically accurate. For example, the movie focused much of its time on the Battle of Gaugamela and missed many other important battles that established Alexander’s legacy as a great leader and military general. In addition, the movie’s illustration of the Persians was not factual. The movie made it seem as though the Persians were an easy group to conquer, they appeared to be chaotic and their approach in fighting seemed to be unmethodical. In fact, the Persians were a reputable force that required planning and great skill to defeat.

When producing a historical drama, it is nearly impossible to include every detail of the actual events that occurred. It is up to the creative mind of the producer to pick and choose what to include and what to omit. Often times, producers alter what actually happened because they believe that it is what their audience wants to see. For example, the producer of Alexander believed that people would be more interested in seeing the large Battle of Gaugamela rather than smaller conflicts so they emphasized that battle by adding gory and dramatic scenes. Despite the attraction, I do not believe that watching historical dramas is a good way of examining history because the viewer is unsure of what is historically true and what is just Hollywood “facts”. However, I do believe it is a good way to spark people’s interest in learning about different time periods. But then it is up to the viewer to further research the accuracy of the events depicted.

 

Stone, Oliver, director. Alexander. Warner Bros, 2004.

Hercules, The Man From Myth

Interpretations of Ancient Greece has fascinated society for hundreds of years. The Greeks seemed larger than life with all of their epic stories. This has led to a majority of the literature and films about the era to discuss the great heroes and gods. These films are not expected to be extremely historically accurate due to the fictional nature of the original story. When I looked at the 2014 film depiction of Hercules I did not find much of it to but be proven by facts, but much of it was very plausible. The first aspect that I enjoyed was the idea that all the mythological aspects of the culture were explainable. The movie went through and debunked many of the common myths such as, Hercules was not the son of Zeus, hydras were warriors in lizard masks, centaurs were horseback archers that only attacked at night, and many others. The movie explains how when stories are retold many times, they begin to twist and shape until everyone believes the most dramatic aspect of them.

The tactics and techniques of the army of heroes was also one of the more accurate parts of the movie. The soldiers were heavily reliant on their shields and spears creating a focus toward the shield line. The “good guy” style of warfare was consistent with the historical proof, but the armies of the villains were almost completely wrong. These other armies came with a larger force from an established city but used no armor or shields, and stuck to no formation of battle that would have been typical at the time. The reason the heroes were fighting the enemy was also inaccurate. In the film Hercules was fighting against the ruler of the land who was a “tyrant” and took power away from the people. I believe that all of these events, consistent with history or not, were done to create an easily ingested and convenient  version of history. The intentional disregard for historical accuracy, like the enemy army, was done so it would be very clear who the bad guy was. If people saw Greeks fighting Greeks the image would have not been as polarizing as the action of Greeks fighting barbarian warriors. Similarly it is easy for an audience, especially one from America, to believe that Hercules was fighting for democracy when having a tyrant was actually typical for the time.  Audiences do not want historically accurate movies, they want convenient stories that fit with what they believe.

A Tyrant in the White House?

The definition of tyranny has changed significantly over time. Before the rise of democracy, the word “tyrant” did not have any negative connotations, as it does today. Many tyrants were actually elected and did good things for their people. It was only after the Athenian democracy took hold that the word came to signify a ruler who oppresses his people.

Jeffrey Sachs, a professor at Columbia, wrote an opinion piece for CNN on how the United States is on its way to tyranny because of President Trump. He warns that our system of checks and balances meant to protect us from tyranny is failing. Sachs contends that the President has made many major decisions and meetings a “one-man Trump show,” citing the Iran sanctions and July Putin summit as examples. The author’s main contention is that the President has subverted congressional approval by applying the catch-all “national security” justification for things like tariffs, the nuclear deal, etc. Sachs uses a constitutional argument to explain how this increasing use of the executive to carry out the explicit powers of Congress is eroding democracy in the United States (Sachs).

The term “tyranny”, as used in the article, does not align with the modern definition. The author presents a strong case that the power of the executive has increased and many decisions are being made single-handedly (Sachs). However, the term “autocracy” would have been more fitting. While more power is falling into the President’s hand, Sachs makes no contention that he is using that power to oppress citizens of the United States (Sachs). Thus, the modern definition of tyranny does not quite fit here. Even though Sachs does not use “tyrant” to describe an oppressive ruler, there is still a clear negative connotation to the word as used in the article. This negative connotation exists because democracy is the cornerstone of the American experiment, and any other political system is viewed as inferior. In conclusion, the manner in which “tyranny” is used in the article falls somewhere between the ancient and modern definitions.

Works Cited

Sachs, Jeffrey. “Trump Is Taking US down the Path to Tyranny.” CNN, 24 July 2018, http://www.cnn.com/2018/07/23/opinions/trump-is-taking-us-down-the-path-to-tyranny-sachs/index.html.

‘Tyranny’ applied to the rule of Mao Zedong and President Xi

          Should Mao Zedong and Xi Jinping be considered tyrants? In ‘Dictatorship nearly destroyed China once. Will it do so again?’ Radchenko analyzes the history of Mao Zedong’s rule of China and draws parallels to that of Xi Jinping. Radchenko says that Xin Jinping removed term limits and became a ‘tyrant’, just like Mao Zedong. Whether or not Xi and Mao are ‘tyrants’ depends on the lens through which one looks at tyranny. In pre-democratic Europe, tyranny was neither bad nor good. Tyranny means that a leader gained absolute power through unconventional means.  In ancient Greece, tyrants were often members of the aristocracy who usurped the current monarchy. Whether or not they are good or evil, or loved or hated does not influence the definition of what a tyrant is. Radchenko’s article details how Mao secured power by founding the People’s Republic of China and leading the Communist Party of China following the Chinese Civil War; this rise to absolute power is certainly ‘unconventional’, and Mao is therefore a tyrant. Now, is Xi Jinping a tyrant? Once again, the archaic definition of tyrant says yes. President Xi led the Communist Party and ruled China with absolute power. In Radchenko’s article, Xi secured this power for a lifetime by removing term limits of the presidency. What this means is that he can rig elections and lead China indefinitely. Once again, Xi secured absolute power through unconventional means, and should therefore be seen as a tyrant according to the archaic definition of a tyrant.

         Are Mao and Xi ‘modern tyrants’? The modern meaning of a tyrant is negative and is influenced by pro-democratic powers. It was the Athenian democrats and those who grew up in a democratic society who decided and wrote that democracy was better than tyranny. As the number of democratic societies grew, the number of people who claimed democracy was better also grew. The result of which is that now, the whole world favors democracy, or feigns it. For this reason, the most common definition of tyrant says they are a ruler unrestrained by law or constitution, or a ruler who exercises absolute power oppressively or brutally. Mao “ruled with an iron hand” and “tens of millions of Chinese paid with their lives for Mao’s delusions of glory” (Radchenko). This is certainly exercising absolute power oppressively and brutally, and Mao can therefore be considered a tyrant. President Xi also has a history of making people ‘disappear’ and suppressing those who oppose the communist party. Furthermore “Xi’s addiction to power clouds China’s future” (Radchenko). Once again, Xi can also be considered a tyrant in the modern definition. However, there is more to be said about what a tyrant is in the modern era.

         In obviously authoritarian societies, rulers claim to have democracy in order to quell both internal and foreign dissent. This is why China and Russia rig elections. The modern definition of tyranny is likely not to change in the near future, however the methods by which rulers claim absolute power is changing. Rulers today no longer need to use violence to suppress dissent. A much more powerful tool is manipulation of the relationship between people and information. Today, people are extremely reliant on news and information presented to them to form opinions, so many rulers today simply manipulate that information, by suppressing the internet or producing their own news. The result of this is a growing support for authoritarianism and tyranny around the world.

Works Cited

Radchenko, Sergey. 2018. Dictatorship nearly destroyed China once. Will it do so again? March 5. Accessed September 6, 2018. https://www.washingtonpost.com/news/made-by-history/wp/2018/03/05/dictatorship-nearly-destroyed-china-once-will-it-do-so-again/?noredirect=on&utm_term=.95869e20c729.

 

The evolution of “Tyranny”

In pre-democratic Greek society the connotation of the word tyranny was vastly different than our post democratic perception of the concept. The ancient Greeks viewed tyrants as political leaders who generally came to power through a populist movement for change from the current political system. These tyrants were also considered to be benevolent and caring leaders who brought about many positive changes in society. They were also considered to be strong leaders and they were well trusted by their people. These traits clearly clash with the modern view of tyranny as an evil and self-interested regime which has total disregard for the wellbeing of its people, and only seeks to empower itself more. This view did not develop until after democracy had developed and been determined to be superior.

In an article from the Daily Intellligencer titled “America Takes the Next Step Towards Tyranny” the author, Andrew Sullivan, makes the case that President Donald Trump is turning America into a tyranny. Sullivan compares President Trump to the tyrannical leader from Plato’s Republic. Sullivan says that “When Plato’s tyrant first comes to power — on a wave of populist hatred of the existing elites — there is a period of relative calm when he just gives away stuff”, and he then compares this to President Trump by referencing the large tax cut that Trump pushed for. All of the positive effects are only to please people until the tyrant gains a strong enough base to start manipulating his power more. Sullivan also compares Trump’s firing of members in his cabinet to “the purge” of political opposition of a tyrant once they have enough power to make people disappear.

The kind of language used by the author to describe tyrannical leadership, such as purge, cruelty, sadistic, and public execution, implies an extremely unjust and power hungry ruler with no concern of the people. These traits are in stark contradiction to those of the tyrants of Ancient Greece who generally improved the lives of those under them, and were considered to be caring leaders in many cases. This change in the definition of tyranny can be attributed to the development of Democracy, and with that the retrospective outlook in which non-democratic governments are now considered inferior and thus the reputation of tyranny changed. It is also likely that many of the tyrants in ancient Greece may have fit our current definition of tyrants, since being in a position of such great power they would be easily corrupted.

Cleopatra: Wanton Junkie?

History, due to its fascinating variance from current day, is often reproduced in many types of media. When it comes to full immersion, however, the interactive nature of videos games allows for the most intimate experience. Ubisoft’s Assassin’s Creed series in particular prides itself on this adventurous aspect, as the series markets itself primarily through its historically-accurate characters and settings. The most recent installment in the series, Origins, plants the main character in ancient Egypt, where everything from the Great Pyramid of Giza to Ptolemy XIII’s palace is recreated. While enthusiastically shedding light on one of humankind’s most unknown eras, the game’s blinding discrepancies lie within the portrayal of the time’s key figures. Cleopatra is especially given little care, shown as an overtly promiscuous and substance-abusing seductress.

As early as her very first scene, Cleopatra is thoroughly undercut. She is introduced, accurately, as the pharaoh’s charming sister, and meets the main character at one of her many lavish parties. Most of the guests are jovial, soldierly men. She declares that she will sleep with any man at the gathering, so long as he agrees to be executed afterwards. This raises laughter among the crowd, but insinuates something else entirely: it seems that the offer has been made and accepted before. This scene, although humorous, illustrates an inaccurate picture of the woman. While she did host many social events, as expected of royalty, it is also unlikely that she offered herself to her guests in such a manner. Cleopatra, after the downfall of her brother, became pharaoh, and was therefore a queen; such behavior was below her. In fact, her only known lovers were Julius Caesar and Mark Antony, two political allies. Despite Origins claiming historical accuracy, Ubisoft lazily based the Queen of the Nile on the words of Augustus’ bitter smear campaign.

Another inaccurate scene showcases Cleopatra smoking opium. This is clearly erroneous because opium pipes were not invented during her lifetime. Additionally, though the woman was slandered for her promiscuity, there was never any propaganda about her drug abuse. She was closely associated with medicine, pharmacology, and even magical potions, but was free of substance abuse. If this was actually an issue, Augustus would have indefinitely belittled his enemy for it.

Despite her conspicuously sexual scenes, Origins does exhibit Cleopatra’s leadership abilities, showing her military prowess and control over the public opinion. Even so, her sexual power is painted as the central element of her authority. She is gradually cast as more of an exotic temptress than as a political operator who understood the demands of the throne. It is in this wrongful rendition of one of history’s most distinguished females that Assassin’s Creed: Origins falls short.